- Potplayer version history install#
- Potplayer version history Pc#
- Potplayer version history professional#
- Potplayer version history series#
Potplayer version history install#
The Potplayer download is safe to install onto PCs.
Potplayer version history Pc#
You can only download Potplayer on Windows PC devices. Pot player is lightweight and does not use a lot of storage space on computers and laptops. The freeware supports a variety of subtitle formats, codecs, and 3D viewing experiences. You can watch videos and listen to audio on this powerful application. Let me know if you'd do something different.Potplayer is a free media player that is filled with features.
I'm not sure what this means, maybe apps written for Apple products are color managed?Īs I mentioned, I'm leaning towards just keeping the Color Space as Rec.709 Gamma 2.4 because that sounds like what I want for broadcast. So as long as I used Apple screens (MacBook Air, iPad) my export looked as it should even if I viewed it on a website.
Potplayer version history series#
Mac Mini 2015 / Vizio P Series TV / Shift.io (website): Too bright (same as PotPlayer).iPad 2018 / Shift.io (website): Looks great, just like After Effects.MacBook Air 2020 / Shift.io (website): Looks great, just like After Effects.
Windows / Samsung monitor / Shift.io (website): Too bright (same as PotPlayer).Windows / Samsung monitor / PotPlayer: Too bright.Windows / Samsung monitor / After Effects: Looks great, this is what I expect to see on export.To confuse things even more, I did a couple of tests and the export looks to have the correct gamma setting on Apple screens only: Unfortunately I don't have any way to test this on my TV other than using a MacMini or casting it from an iPad so I don't think I can accurately test how it would appear when broadcast. Because this is going to broadcast first and web second I think I should keep the Rec.709 Gamma 2.4 Color Space even if it doesn't look right on my computer after I export. I guess the next thing to figure out is weather I should keep After Effects and Premiere's Color Space set to Rec.709 Gamma 2.4 or if I should set them to "none". I'll play around with the settings you mentioned and see if I can get the image closer to a gamma of 2.4. Thanks for the replies! I checked PotPlayer's preference and it doesn't look like there is a BT.1866 setting I can choose anywhere so I might be stuck with gamma at 2.2 on that player. That type of workflow will more closely emulate what you get in video players, youtube etc. The other option is to go old skool and use sRGB for everything until final format (instead of 2.4 working space). It kind of sucks to have to player a video using a script
There are ways to emulate BT.1866 transfer function in vapoursynth, but I don't see the it in ffmpeg filters, otherwise you could use built in libavfilters in mpv. (A 2.4 gamma appears "darker" because it's actually the inverse curve ~ 1/2.4 that is applied) You'd have to set up color management on potplayer to use BT.1866 or ~2.4 display gamma
Potplayer version history professional#
Professional programs tend to use the BT.1886 recommendation now by default (709, 2.4 gamma), including Resolve. This includes things like common video players, youtube, etc - which are not color managed. but EBU Tech 3320 and ITU-R BT.1886 introduced later on specified a gamma of ~2.4 for 709 (it's approximately "2.4", it's a non linear curve)īut the majority of computer programs use sRGB, 2.2 display gamma. The original Rec709 spec did not specify display gamma value. This is because all those other programs are not color managed, and assume ~2.2 sRGB display gamma disable color management) it looks like potplayer/mpc/everything else, right? (disregard VLC observations, it's buggy). If you re-import the video into AE, but set working space to "none" (ie. Like a color management issue 2.4 vs 2.2 display gamma.
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