It's funny but I never really considered Hasten Down The Wind as downbeat or morose, but it clearly is, I just considered it a beautiful work standing alone. I always wondered if the guy on the horse recognized himself in the photo. Someone else's hand was airbrushed in-the wife of Russell or Kosh I think?
I can't find the source now but I definitely recall Russell saying somewhere that one of the hands on the cover is not Linda's because the position of her hand in the photo made it look like a claw. My father owned a horse ranch.) It was a happy accident, or, thinking about it differently, it was a captured moment, which we didn't know was coming but were prepared to get. Right before I took the photograph, Linda yelled at me not to take the picture because it would scare the horse. I had nothing to do with them and had no idea they were there. "The horse and rider were there of their own accord, racing along the beach. I loved for the elements: the seashell in her hair, her raised finger, and the ocean."
Linda ronstadt hasten down the wind album portable#
I was waiting for later in the day when the sun would start to set, and I could introduce the hand-held portable strobes and mix the light sources during 'magic hour.' This could produce unexpected but sometimes magical results. And so we started running up and down the beach. John, frustrated, suggested everybody get up and move. She had finished makeup, and I began to take pictures, which were listless. "John Kosh.can take some direct credit both for this shot and to some degree for "Hasten Down the Wind." This session-another 'photo-shoot'-was at Linda's home in The Colony in Malibu.
Here's what Ethan Russell says in "The Inside Story," the stories that accompany his new book "Ethan Russell Photographs": Malibu Colony is only about a mile long so it's possible that they started out in front of Linda's house and wound up in front of the producer's place.
0 kommentar(er)
